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TypeTalk: What Makes a Font a Pro?
Some OpenType fonts have the word "Pro" at the end of their names. What in the world does it mean?
Written by Ilene Strizver on November 5, 2008
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TypeTalk is a regular blog on typography. Post your questions and comments by clicking on the Comments icon above. If Ilene answers your question in the blog, you'll receive one Official Creativepro.com T-Shirt!
Q. What does the word "Pro" mean when it's at the end of a font name? I often see two versions of the same font -- one with Pro and one without.
A. The Pro suffix, which is part of some OpenType font naming conventions, means that that font includes expanded foreign language support, usually consisting of at least Central European glyphs. Some Pro fonts contain other languages, such as Greek or Cyrillic; it varies from font to font. While some Pro fonts have additional bells and whistles, such as small caps, swashes, discretionary ligatures, or ornaments, these extras aren't guaranteed by the Pro designation according to Adobe’s original definition.
While the Pro terminology was coined by Adobe, it's been adopted and adapted by many major font foundries and resellers, as well as some smaller, independent foundries. One foundry that doesn't use this terminology is Terminal Design because, according to its principal, James Montalbano, “All of our commercial fonts include Central European characters, so I don’t think it is necessary to call them 'Pro.’”
Figure 1. Terminal Design’s Giacomo 2.0 contains expanded foreign language support, including Cyrillic, but does not use the Pro suffix.

Adobe and some other foundries will include the suffix “Std” (Standard) in some OpenType fonts to indicate they do not have expanded foreign language support. In fact, many Std (non-Pro) OpenType fonts don't contain any more glyphs than the PostScript version many of them were converted from. Let the (OpenType) buyer beware.
A number of fonts have been released and then rereleased with additional features. An example of this is Monotype's Bembo, which is available as the original version in Type1 and TrueType formats, Bembo Std., the first OpenType version, as well as Bembo Pro which contains expanded foreign language support, as well as the addition of small caps, and old style figures.
Read more about OpenType in the following columns:
* Using Expert Characters and Expert Sets
* Opening Up About OpenType
* Spot OpenType Fonts Fast
Love type? Want to know more? Ilene Strizver conducts her acclaimed Gourmet Typography workshops internationally. For more information on attending one or bringing it to your company, organization, or school, go to her site, call The Type Studio at 203-227-5929, or email Ilene at info@thetypestudio.com. Sign up for her e-newsletter at www.thetypestudio.com.
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Very funny Malcom
Very funny.
Terri Stone
Editor in Chief, CreativePro.com
Pro fonts
It's actually hanging around on street corners
PRO Fonts
Thanks for the "expanded" info. When I ran a type studio in the 80s I was constantly annoyed at how type "sets" (fonts) were "incomplete" but I would play the game of buying additional digital characters. But inwardly I did wonder why someone didn't invent something like what we now know as Unicode. I spent a lot of time on Cyrillic, and fonts for making chess diagrams for my Alphatype equipment. At 5300 lpi inch it was peerless, and even today no one else comes close in terms of output.
At one time Edward Rondthaler asked me to do a column on chess fonts for U&lc magazine but I never got around to it. I don't know if he is still alive. Last I heard he was close to 100.
Bob Long