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Scanning Around With Gene: Illustrations Carved in Steel
Before the advent of photography, it was up to engravers to depict the majesty of natural wonders.
Written by Gene Gable on October 9, 2009
Categories: Graphics, Illustration
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I recently came across an 1883 edition of “Mountain, Lake and River” with illustrations by the English artist William Henry Bartlett. It contains 25 steel engravings, all of mountains and waterways in the United States' East Coast.
Bartlett was a popular engraver/artist at the early part of the nineteenth century, producing mostly small engravings from his travels throughout the world. He lived from 1809 to 1854. The images here are most likely from the 1830s. Click on any image for a larger version.
Here is the book cover along with two views of Niagara Falls.
Steel engravings are a tricky undertaking. Until the early 1800s, most engravings were made from copper, a metal that's relatively forgiving and pliable. But steel allowed for longer press runs and more detail, so it became popular as book publishing expanded to bigger markets. Here is Mount Washington in New Hampshire and the Genesee Falls in Rochester, New York.
Engravings are made by etching the artwork directly into the metal, in reverse, using a tool called a burin. You can see a set of burins here.
Next we have Squaw Lake in New Hampshire and Passaic Falls in New Jersey.
Because the images are reversed, many engravers worked by looking in a mirror, making a difficult process even more difficult. Below is Lake Ontario in the moonlight and Sabbath Day Point, Lake George New York, referred to in the book as the “most transparent lake in the world.”
These particular engravings are 5 x 7 inches and contain a great deal of detail. It’s hard to imagine working so precisely with a small chisel in a mirror, but engravers worked in actual size -- there was no reducing or enlarging back then. Here is the Valley of the Connecticut from Mount Holyoke and Trenton Falls in New York.
Steel engraving is the method still used for much of the world’s currency, thanks to the detail and difficulty in counterfeiting. Below is Barhydt’s Lake near Sarasota, New York.
We take photography for granted these days. But it was steel engravings such as these that introduced many Americans to the wonders of their country, one painstaking cut at a time.























engraving
This is humbling, really. I'm pretty good at pressing keys on a keyboard, not bad at moving a mouse around, and I can still write my name. Engraving on steel backwards in reverse, with this kind of detail? Lordy.
engraving
These are just wonderful! There is a depth of feeling in simple black and white. I would love to use that cover myself (adapted of course)
engraving vs. etching
FWIW, you engrave or incise or cut with a burin. Etching is a process where the plate is eaten away by an acid. Perhaps not so critical a distinction in the book arts, but really important in the art print trade.
Engravings
The sharpness of detail in engravings surpasses anything possible with photomechanical (or digito-mechanical) printing. It's pretty amazing, and, I guess, basically a lost art. If you are scanning one of these, better set the scanner for the highest useful resolution.
Germany section planned. Suggestions???
I sat in a mock-up of the new Cirrus Jet today alongside Alan Klapmeier, the companys co-founder, who was visiting Hanscom Field (KBED). The interior reflects some truly brilliant design. The seats slide back and forth on long tracks, allowing a lot of flexibility. People could swap seats with the pilots without knocking the thrust
Sarasota: Saratoga
Thanks for the look at the wonderful old engravings. Barhydt's Lake, by the way, is near Saratoga, NY -- not Sarasota (which is in Florida).